Category Archives: Exhibitions

Bibliography for the last 10 years

Okt 2019 – Happening outside Den Frie, Oslo Plads 1.
Nov 2018 – Exhibited Addiction exhibition in Gallopperiet, Christiania.
Nov 2017 – September 2018 – outside on Kongens Nytorv 3-5, Den Friere exhibition finds the tourists.
October 2017 – outside Den Frie, Oslo Plads 1, Second Den Friere exhibition – a free-standing door with Censored written on it. A painting and text are ‘inside’ the door.
November 2016 – outside Den Frie, Oslo Plads 1, Opening of Den Friere (The Freer) under a tarpaulin with mulled wine.
July 2016 – Gallopperiet, Christiania, Curated and exhibited in group show titled, The Missing Dialogue.
November 2015 – outside Den Frie, Oslo Plads 1, Small scaffolding placed in front of Den Frie with 2m 40 board to work on.
April 2015 – inside Gallopperiet, Christiania, Curated and exhibited in group show titled, A Dialogue for Peace.
March-Sep 2015 from anti-racism day until ‘soldier’s flag day’ – outside Christiansborg Slotsplads, small scaffolding erected and two paintings dealing with the refugee crisis are created on-site.
April 2016 – Christiania Portraits. Spainen 19, Aarhus, Denmark
Januar 2015 – Christiania Portraits exhibited at Filimbyen, Århus
November 2014 – outside Den Frie, Oslo Plads, central reservation – a protest action against my rejection of the Frello portrait.
Here are pictures from my most recent outdoor exhibitions.
Throughout 2012 – exhibited my Christiania Portraits in various Culture houses and libraries in Copenhagen.
September 2011 – Exhibited my Christiania Portraits in The Gray Hall, Christiania for the 40th anniversary.
July 2009 – Exhibited my Christiania Portraits in Gallopperiet, Christiania. https://www.youtube.com/watch?v=0nFQXyzZa7E
October 2008 – Exhibited my Christiania Portraits in Det Poetiske Bureau in Griffenfeldsgade, Nørrebro.

Exhibition one day event

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Please come to an one day event showing my latest paintings of Ukrainian refugees at Nazaret church on the 29th Oct from 16:00-18:00.

https://www.facebook.com/events/666908275104097

Exhibition and Hotel Cabinn Reunion | Facebook Read More »

FERNISERING D.1. NOV KL.16-20 PÅ OSLO PLADS 1

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Invitation til Den Friere copy

My Beloved Addict – a new documentary available now

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Filed under Exhibitions, Film

 

My Beloved Addict is a documentary film about my exhibition on addiction and its impact on everyone around it. Dirk Coutuer of Belgium came to Denmark to see my exhibition and make the film. I am grateful.

My Beloved Addict

 

Printing Title

If this film moves you and you know of a place that this exibition or film could be shown, please do get in touch.

Artikel om Udstillingen på Christiania. Article about Exhibition in Christiania

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A local paper covered my exhibition. Here is a link to the article. It is in Danish. See the link below for English translation.

 

Udstilling om stofmisbrug – set med en pårørendes pensel

Amagerbladet translated to English

 

Aktuel Udstilling på Stadens Museum for Kunst, Christiania frem til og med 1. dec.

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Flyer eng copy

ENGLISH

(DANSK NEDERST)

Four years ago, with a few red dotted rejections from the Artists’ Autumn Exhibition under the belt, I took a mask and threw myself into the central reservation with a – for me – brave protest action. The road then led to Christianshavns Slotsplads, Kongens Nytorv, Istedgade and further into all sorts of art projects, where art has become a mouthpiece with very direct contact between the artist, the work and an audience. The topics included “war and the refugee crisis”,Social care”, and mental illness.

This year, my current exhibition at Gallopperiet, Christiania, focuses on the world of addiction, because, as a friend of a relapsed addict, the subject has impacted me right into the inner chamber of my heart. The feelings are strong, the colours and the expression are sometimes black, but there is a glimpse of hope to be found in the midst of the darkness.

Experience an emotional roller coaster through an exhibition ranging from painting, sculpture and concept art to a Dialogue corner, where guests can contribute, and an Interactive labyrinth Installation. The installation was made in collaboration with two artists who are recovering after a long period of drug abuse, which almost sucked them into the abyss. Take the journey with them and me into a world where there is more than ample ‘substance’ for reflection.

 

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Dearest Cocaine/Kæreste Kokain 2018.

 

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Gallopperiet 2018.

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Kokain kæreste/Dearest Cocaine. Plaster of paris, expanding foam and clothes. 2018

 

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Seperation/Adskillelsen 2018 (Foto: Mathias Vejerslev)

 

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Labyrinth/Labyrint – Interaktiv Installation 2018  (Foto: Mathias Vejerslev)

 

 

Det Indre Skrig The Inner Scream Oil on Canvas 2017

De Indre Skrig/The Inner Screams. 2017

 

 

 

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Døden/The Grim Reaper. 2018

 

 

Ukendt/The Unknown Oil on canvasbr> 2018

Ukendt/The Unknown, 2018

 

 

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Opløsning/Dissolution, 2018.

 

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Flugtvejen/Escape Route, olie på lærred, 2018

 

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Giv Slip/Let Go. Interaktiv værk

 

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Bønner i Uroen, interaktiv kunstværk, cykelrester/Wish upon a Bean. Interactive artwork. Bike parts. 2018

DANSK

For fire år siden, med et par røde prikkede afslag fra Kunstnernes Efterårs Udstilling under bæltet, tog jeg maske på og kastede mig ud i midterrabatten, med en – for mig – modig protestaktion. Vejen førte derefter til Christianshavns Slotsplads, Kongens Nytorv, Istedgade og videre ud i alle mulige kunstprojekter, hvor kunsten er blevet til et talerør med meget direkte kontakt mellem kunstner, værket og et publikum. Emnerne inkluderede krig og ‘flygtninge krisen’, næstekærlighed og psykiske lidelser.

 

I år har min aktuelle udstilling på Gallopperiet, Christiania, fokus på stoffernes verden, fordi, som pårørende til en tilbagefalden misbruger har emnet rørt mig helt ind i mit hjertes indre kammer. Følelserne er stærke, farverne og udtrykket er til tider sorte, men der er et glimt af håb at finde midt i mørkets hvirvl. 

 

Oplev en følelsesmæssig rutschebane igennem en udstilling, der spænder fra maleri, skulptur og konceptkunst, til en Dialogkrog, hvor gæster kan give bidrage, og en Interaktiv Installation. Installationen er lavet i samarbejde med to kunstnere, der er i bedring efter et langt misbrugsforløb, der næsten førte dem i afgrunden. Tag rejsen med dem, og mig ind i en verden, hvor der er mere end rigeligt ‘stof’ til eftertanke.

 

Har du spørgsmål, kan du ringe på 50233126.

Eller maile mig på leah@robb.dk

Link til udstillingens facebook side: https://www.facebook.com/events/246330229359602/

Bemærk at udstillingen er blevet forlænget til og med d. 1. dec.

Mvh

Leah Robb

(Maskemaleren)

Plakat til kommende Udstilling/Poster for coming exhibition

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Plakat 1 copy

 

Plakaten vil være til salg på Gallopperiet.

The poster will be available at Gallopperiet.

Invitations in English and Danish to up-coming November exhibition.

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Events under udstillingsforløbet ses her:

Flyer bagside

 

English version

Flyer eng copy

 

Feel free to print these out and share.

 

 

 

And just to lighten things up a little – Art and Humour

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Filed under Art, Exhibitions, The Triangle Theory

(Danish below)

Humor, art and Frello – a fawlty exhibition

Friday 31 August Kl. 14.00-16.00, Århus, Denmark.

The John Cleese Festival begins with the opening of a python art exhibition and tour of the festival’s installations, video screens and artworks – and a talk: What is art? And what is amusing?

An exhibition about humor and art raises two major questions: Is it art? Does it make you laugh? Among other contributions. we have the artist Leah Robb, who will refer to her painting of the comical artist, Otto Frello when presenting her Triangle Theory – a tool she uses to judge whether a work has artist merit or not.

Click the link below for more info.

http://cleese.dk/program/symposier/

 

There will be debate and bubbles.

Dansk

Humor, kunst og Frello – en Fawlty fernisering
Fredag 31. august Kl. 14.00-16.00, Århus.

 

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John Cleese Festival åbner med en fernisering af en pythonsk kunstudstilling og rundvisning i festivalens installationer, videoer-screens og kunstværker – og en talk: Hvad er kunst? Og hvad er sjovt?

En udstilling om humor og kunst rejser to store spørgsmål: Er det kunst? Er det sjovt?

Bl.a. har vi kunstmaleren Leah Robb, som tager udgangspunkt i sit maleri af den komiske kunstner, Otto Frello, når hun præsenterer sin Triangel Teori – et redskab til at bedømme om et værk er kunst.

Klik på linket forneden for mere info.

Der bliver debat og bobler.

http://cleese.dk/program/symposier/

Podcast interview about my art practice – Danish

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Dansk

Du kan høre en halv times interview med mig om min kunstpraksis her:

 

https://signesylvester.dk/podcast/10

 

Signe Sylvester, som interviewer har kørt et kursus, der hedder, “Gør Kunsten til din Levevej”. Den har jeg deltaget i,  og fået nogle gode tips om, hvordan man forbliver tro overfor sig selv, samtidig med at leve af det, man brænder for. Kan varmt anbefales.

Addiction and the Depris left in its wake – New Project

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Filed under Art, Exhibitions, Personal News

For over a year I’ve been working on paintings dealing with the nature of addiction and what it is like to love someone who is struggling with it. I am still learning about the way in which my life has been affected by this, both positively and negatively. These artworks are therefore a personal journey and an attempt to start a dialogue between myself as a co-dependant, (consumed by the plight of the addict), those with an addiction and anyone else who joins the conversation.

I will post pictures and sketches here in my blog for you to see, in anticipation of exhibitions in the latter stages of 2018.

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This is the first time I am showing the content of this door on-line. More about that in a moment. The door is my exhibition space. It originally was made to stand outside Den Frie/The Independent exibition, because they house KE – a Censored Exhibition – every year that I feel has a counterproductive way of ‘promoting’ up-and-coming artists. It costs between 550.1150kr to enter, with no need for accountability from the panel of judges. I therefore exhibit outside for free every year with the council’s permission and I’m sure that attracts more long-lasting attention than what is happening inside. It is quite entertaining really. Aloong the side of the door frame are the words; Den Friere – The More Independent, because my decision to use public space instead of Den Frie; The Independent, makes me freer!

 

 

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This is from the two week period the door stood outside Den Frie. The painting itself describes the feeling of having a scream inside that you cannot contain. It needs to be released and the only way is for you to rip yourself open to relieve the pressure. This emotion more specifically, came from the realisation that communication with someone dear to me was crumbling to dust and I seemed unable to stop the wrecking ball from swinging. A very painful period.

 

 

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The reason for the mask is that Den Frie’s Censored Exhibition KE give ‘faceless’ rejections; just a red dot on-line. So I thought I’d remain ‘faceless’. The word on the door “Censored” can have several interpretations: 1. That me and my painting are censored by Den Frie in terms of being rejected. 2. My painting being censored due to its naked horror. 3. I as a person feel rejected by another person, and the painting is an expression of that feeling of rejection. This is the main motivation for the word on the door. But the layered meaning is deliberate.

 

 

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With permission from the council, I moved the door to Kongens Nytorv in November 2017 and it has been there since then. It has been visited by hundreds if not thousands of tourists and locals throughout the past 4-5 months.

 

 

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Here is a letter someone wrote to me, thinking I was C. S. Lewis. But C.S Lewis is who I quoted under the painting, not me. It was nontheless very touching and I appreciate the words of comfort that were expressed to me here.

 

 

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I like this message! Teresa has understood that love is worth the risk, but that it is a risk.

 

 

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I like the juxtaposition of the gentleness expressed between this couple and the horror of what it is like when love goes wrong, which they are witnessing.

 

 

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Compared to outside Den Frie in Østerport where it might have had 5 visitors a day, the door is getting masses of attention in Kongens Nytorv. I think it is visited every 5 mins or so and I’ve had about 60 email addresses or messages in my postbox which is attached to the door. Unfortunately I’ve found the box open at times and I think many messages have blown away too 🙁

 

 

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As I say, this is the first time I am posting pictures of the content of the door, but it is almost certainly not the first time it has been shown on-line by others. You see friends being photographed as they open the door. I like the intimacy that having a painting behind a door which you have to open yourself creates.

 

 

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Then, in february someone took a knife to my painting and cut it out of its stretcher! Sabotage! the wires to the lightbulbs were also cut. BUT, when you meet resistance and have a creative streak, you don’t give up or bow out.

 

 

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The sabotuer did not take the canvas with them, so I decided to try sewing it back in. I pasted contact glue around the seam on the back to stop the seam from running as soon as I started to sew.

 

 

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I used a strong thread to pull the canvas seam tight once the glue was dry. It was impressively effective considering the amount of tension needed to close all of the seams. I deliberately used a red thread and a varied stitch to create what could look like a sewn together flesh wound.

 

 

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Back to the content: The painting is called “To Love” and deals with the vulnerability of love. Love is the strongest emotion and can lead to the deepest pain. The quote is by C.S. Lewis and says it like it is; love makes vulnerable. If you don’t want to be vulnerable, then don’t let your heart love anyone or anything. He is not saying, don’t love, he’s just explaining the natural cost.

 

 

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So here is the new improved version of what I presented originally, now with life-experience similar to the theme of the motif itself. Thanks to the saboteur. I couldn’t have done it without you! Maybe there is a story here about scars in life making us somehow more beautiful, if we are willing to take them and work with them.

 

Leah Robb